This exhibition represented a rare opportunity to see nineteen paintings by Giorgio Morandi (1890-1964), spanning his career from 1914, his early Futurist phase, up to 1957, together with fourteen works by his contemporaries. They are selected from the collection of Augusto and Francesca Giovanardi, who shared a passion for mid-century Italian painting, particularly still lifes and landscapes.
Abstraction first emerged in Italian art around 1910, when painters belonging to the Futurist school began developing their studies of light and motion in bold new directions, depicting ‘the essential force lines of speed’ as brightly-coloured arcs and thrusting, jagged forms.
In Astratto explored fifty years of innovation in Italian abstraction, and presented a comprehensive survey of the myriad approaches to the subject that emerged during the key period from 1930 to 1980.
The Estorick opened its 20th anniversary year with a major exhibition of works from one of the world’s most important collections of modern Italian art, housed at Milan’s Pinacoteca di Brera.
The first exhibition dedicated to the work of Osvaldo Licini (1894-1958) in the UK. A key figure of 20th-century Italian art, Licini participated in the Futurist movement before establishing himself as a figurative painter of portraits, landscapes and still lifes.