This exhibition represented a rare opportunity to see nineteen paintings by Giorgio Morandi (1890-1964), spanning his career from 1914, his early Futurist phase, up to 1957, together with fourteen works by his contemporaries. They are selected from the collection of Augusto and Francesca Giovanardi, who shared a passion for mid-century Italian painting, particularly still lifes and landscapes.
This exhibition chronicled the golden age of Italian aviation through forty-four posters of immense artistic and historical interest, on loan to the Estorick Collection from the Massimo and Sonia Cirulli Archive, New York. One of the earliest and most effective means of mass communication, the poster was the perfect medium through which to stimulate public interest in the aeronautical endeavours and achievements of the day.
This exhibition provided an insight into a crucial phase in the artistic development of one of Italy’s most stimulating artists, showing his unpublished works on paper.
Comprising over 120 works by many of the most prominent Italian artists of the Modernist era, the Estorick Collection opened to the public in January 1998. Described by Sir Nicholas Serota as 'one of the finest collections of early 20th century Italian art anywhere in the world', it was formed in the late 1940s and early 1950s by Eric Estorick (1913-93), an American art-dealer, writer and political scientist, and is the only collection in the United Kingdom dedicated to this turbulent and fascinating period of Italian art.
The Estorick opened its 20th anniversary year with a major exhibition of works from one of the world’s most important collections of modern Italian art, housed at Milan’s Pinacoteca di Brera.
In autumn 2021, the Estorick’s entire collection of modern Italian art was on show throughout the museum’s six galleries in a new exhibition, Estorick Collection Uncut.
An exploration of the relationship between Ukrainian-born American artist Alexander Archipenko (1887-1964) and the masters of Italian modern art.