Featuring Manlio Rho

In Astratto explored fifty years of innovation in Italian abstraction, and presented a comprehensive survey of the myriad approaches to the subject that emerged during the key period from 1930 to 1980.

Milan’s Ramo Collection comprises nearly 600 works on paper by artists belonging to some of the most important movements and tendencies in twentieth-century Italian art. This exhibition – the first to present a selection of drawings from the Collection outside Italy – explored the discipline as more than just a ‘preparatory’ activity, considering it as an art form in its own right.